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We often groan when we hear a film is based on a best-selling novel. It’ll never be as good as the book, we say. And while there are plenty of films that actually succeed in capturing the essence of a great book and adapting it to a new format, many, many more just don’t come close.
Here are five films that simply did not seem to understand the point of the books on which they were based.
**NOTE: Some paragraphs contain spoilers and are marked accordingly**
EAT PRAY LOVE

But the main problem I have with it is the simple fact that for a film about rediscovering one’s spirituality and sense of self, there were tons of shameless product tie-ins. At World Market or on the Home Shopping Network, you can buy Eat Pray Love official gelato machines, jewelry, and window shades. And if that makes you feel a bit self-centered and consumerist, well, why not spend $4.99 on the official Eat Pray Love prayer beads (found in the Decorative Accessories section of the World Market website) and use them to meditate on your $359.99 Eat Pray Love Indonesian oversized bench with a cushion?
LEAGUE OF EXTRAORDINARY GENTLEMEN

In the film, however, the characters were changed to appeal to a wider audience. Allan Quartermain (or Quatermain in the novel), for example, was changed from an opium-addicted hermit to someone who was only hiding from the public. Mina Harker was changed from the leader and recruiter of the League to a vampiress who is recruited by Quatermain – because everyone knows a normal woman can’t go around leading a league of Victorian superheroes. The producers also added Tom Sawyer, as they didn’t think Americans would like a film without an American in it.
And in the same way they took complicated characters and turned them into Proper Hollywood Superheroes, so they took the literary references and replaced them with action sequences. The novel was so full of literary references that even people in the background were from literature. The film, however, largely limited its literary references to the names of the characters.
A KID IN KING ARTHUR'S COURT ***CONTAINS SPOILERS***

In the Disney version, Calvin Fuller is a weedy nerd who is somehow on the baseball team, even though he always strikes out. During one game, he falls through a crack in the Earth into the court of King Arthur. After showing off all of his hi-tech gadgets, including a CD player and inline skates, Calvin accidentally proves to Arthur that he is the ‘saviour’ Merlin predicted. Calvin helps Arthur retain the crown and is returned to the twentieth century, just in time for the Big Game, where he hits a homerun. Like every other Disney film, there is plenty of learning and hugging, with no ambiguous motivations or characterizations and obviously no critique of modern sensibilities.
THE STEPFORD WIVES ***CONTAINS SPOILERS***

In the 2004 film, the women were controlled by microchips implanted in their brains, which is weird enough, especially considering one of them dispensed money from her mouth earlier in the film. But instead of being turned into a robot as well, the film version of Joanna foils the plot to keep the women sedated, and she also gets help from her husband.
That ending is completely unsatisfactory. There’s something about a happy ending to a dystopian tale that just doesn’t fit. Why is she able to resist the microchips when her fellow ‘strong women’ were not? Beyond that, what is there to learn if someone can just break free of that situation? The point of dystopian stories is to warn us of what could happen to humanity if we allow unsavoury parts of society to continue. In the book, we get a chilling look at what happens when an entire section of society is forced into subjugation. In the film, we learn that if men try to force women into prescriptive gender roles, well, it’ll be okay in the end.
BREAKFAST OF CHAMPIONS

Sadly, however, the movie is just a collection of kooky, crazy and otherwise eccentric characters self destructing in Middle America.
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Thanks Melissa and Mark! Great stuff there... What do you think?